There are shifts in their acting as you get to see more of their character and as their characters change that are really well done. And I won’t go into it a ton with the other actors, but the actors portraying Kinsey and Tyler, Emilia Jones and Connor Jessup respectively, do really good work as well. He does a very good job of portraying an innocence and sincerity to his acting. Bode is supposed to be a wide eyed 8-10 year old in the show, and you can really see that in the acting. The actor who plays Bode, Jackson Robert Scott, does a great job. However, in Locke & Key they do an amazing job. Most of the time, you have a cast that is mainly teen age (though teen in acting can be early 20’s) or kid actors, the acting will end up being suspect. There are a few things that stand out to me for the show. However, because of that it has much more of a YA feel to it, so if you’re a huge fan of the comics, know that before you jump in.
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And that was enough for me, plus Joe Hill did the work on it to keep it in the spirit of the books, but not have to go fully dark. I really liked this show, even though it isn’t as dark and horrific as the first trade paperback, there’s definitely a very interesting and creepy story behind it. There might be some spoilers later on, but I’m going to try and keep them to a minimum. Let me quickly give my thoughts on the show and then I’ll go into more depth. What does Echo want and why can’t their mother, Nina, remember anything about the keys? Soon Tyler and Kinsey are drawn into the crazy world that the house holds with many magical keys and Echo, the voice from the well who has gotten out. But when Bode hears a voice in the well house talking back to him when he makes his voice echo, it’s clear that this isn’t a normal house. None of the kids, except the youngest, Bode, are excited to be there. Rendell, their father, has passed away so Nina picks up and takes the kids from Seattle to Mattheson, Massachusetts. Locke & Key follows a family who is moving back into the families home after tragedy has struck them. So take one of my favorite authors, and find out that his son is doing a horror comic that’s being turned into a show, that sounds great to me. And I was very interested in it from having read the first trade paperback for it, but also because Joe Hill is Stephen King’s son.
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Wade and Jeff make a great team and I can’t wait to see more of them together.I’m a little bit late to the party, but this show based off of a series of comics by Joe Hill. Sure it’s only a couple pages, but it’s enough to make me smile every time I look at it. Deadpool, putting Bellus to rest and DP even trying to pass the crown to Elsa Bloodstone, we are finally treated to an incredibly cute and heartwarming short featuring Wade and Jeff. That’s right, after all the spectacle of Kraven v. It’s not your typical Deadpool by any means, and fans of Kraven absolutely won’t want to miss this.
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This feels like something of a conclusion to an arc with Kraven handled for the moment, but it also helps to lead into what’s next. Despite this, it’s an awesome book to look at, featuring one of my favorite near full-page depictions of DP and Jeff! We also see more instances of muddled layouts comparable to the first issue. The fast paced action sequences lend themselves to this stylized approach quite well, and Deadpool #4 capitalizes on this. Bachalo, the team of inkers and Curiel on colors have formed a dynamic aesthetic that is certainly unique. The artwork is absolutely a love it or hate it situation, and while it took some getting used to, I can say that I do love it. It’s a minor complaint, and while Kraven is cool, there was an opportunity to do more with Deadpool’s reign instead of making an admittedly funny Captain America joke. With Thompson on board, I wasn’t sure what to expect with the more wacky elements of the character, and the Kingdom of Monsters helps to give the right mood to every issue, but this one does fall back on baddy punch-em-up tropes.
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Now with a drive to actually do something for this strange and whimsical kingdom, the creative team is able to give a fresh take on the character that feels meaningful. Deadpool #4 brings plenty of action, but it’s focused on an actual emotional goal for Wade Wilson, which is something you just don’t see all that often.Īs King of the Monsters, Deadpool’s reign has been rocky at best, but taking on villains like Kraven is something he has experience in. Kelly Thompson and company might not be telling the most hilarious Deadpool story, but they sure have captured a complex vision of the character in this new series.